Monday, December 26, 2011

Savannah Dress Designer Uses Natural Light, Ott-Lite

!±8± Savannah Dress Designer Uses Natural Light, Ott-Lite

When dress designer Brenda Betalia of BB's Salon (of Savannah, Georgia) goes to work on a custom-made dress, she thinks first of her vision by using Ott-Lites in her salon.
"You'd think that with the economy the way it is right now that custom dress-making would be a business that was struggling," says Betalia, "but it's not."  Betalia explains that since the economy began to slow down, more and more customers who used to buy only at the designer label houses are now coming to her to customize dresses and suits for them.  "Many of my customers are looking for a local American dressmaker to get the tailored custom look they want without worrying about haute couture prices.  Some actually have told me that they are now only going to buy American." 

The fact is that custom dressmaking and tailoring is becoming a less and less common profession.  Fewer people are taking up the trade, so that the few custom dressmakers who are left are getting the lion's share of the work.  The trend in Betalia's case is for a local dressmaker to customize a new outfit that is beautifully made. The reasons are the new patriotism for buying American, and the desire for the bride to save money as well. 
Betalia explained, "I just finished a wedding dress that was so beautiful!  I had my assistant sew in two thousand tiny crystals and we used the most expensive silks; it had a nine-foot train, and still the gown came to only five thousand dollars.  That same dress, if purchased at a high end wedding retailer or department store, would have been at least ten grand. The bride paid for all the bridesmaids' dresses and the groomsmen's tuxedoes with the money she saved using my studio."

While work is plentiful, indeed, Betalia has to turn down some orders these days. She is aware that the long hours she spends working in the salon can put strain on her eyes and the vision of her assistants.  "I use Ott-Lites for the salon," says Betalia.  "One day I saw my cousin, who does a lot of my beadwork, straining her eyes, and I said, 'come on let's go get us some decent lights for the job'."  That day Betalia outfitted BB's salon with desk and sewing lamps by Ott-Lite and with Ott-Lite Full Spectrum 3X Magnifier and Ott-Lite Truecolor Task Light.

"I'd been reading about true color lights for sewing studios, and that natural, full-spectrum light was better for the eyes.  I decided to protect my vision and the vision of my assistants," said Betalia, "After all, our vision is our work!"  And for this American dressmaker, that vision is paying off.


Savannah Dress Designer Uses Natural Light, Ott-Lite

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Wednesday, December 21, 2011

Chapter 17 - Jane Eyre by Charlotte Bronte

Chapter 17. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Elizabeth Klett. Playlist for Jane Eyre by Charlotte Brontë: www.youtube.com

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Friday, December 16, 2011

Monday, December 12, 2011

Lighting For Stitching Needlework

!±8± Lighting For Stitching Needlework

It is amazing to see incredibly fine works of embroidery from times past, which were worked when there was no electricity and therefore no artificial lighting. When you consider that many women would not have had the chance to do any embroidery during the day, because that's when they were out working in the fields or in the home, how did they see to stitch in the evening?! I don't really know the answer to this. If you've ever tried to stitch by candlelight during a blackout, you'll marvel with me at their achievements.

If I am stitching in the day time, it is my preference to sit by a window and allow the natural daylight to illuminate my work. The colours are more accurate, and it adds nothing to the greenhouse effect or to my electricity bill! However, sometimes I want to stitch in the evening, when there is no or little daylight available. Because of this, it is wonderful that today we have the advantage of electricity and many wonderful lamps to light our work and make it easier to see as we embroider. This will assist with accurate needle placement, and with guarding against tired eyes or eye strain. So how do we use these lamps to best help us?

Incandescent, fluorescent, halogen, true colour etc.?
There are many different types of bulbs. Many needleworkers feel that true colour lamps such as Ott lights and daylight lamps are the holy grail of lighting for embroidery. They provide lighting that does not give a warm or cool colour cast to the light as many other types of light do. If colour is important in your needlework, a true colour lamp may be what you need.

However, regular incandescent and fluorescent bulbs in your lamp can also work well. They are much less expensive than true colour lamps, and there's certainly no reason why you can't use them. I do! Just be aware that they are not true colour, and will change the colours of the threads and fabric that you are using. If you are using these types of bulbs, do all your colour checking and choosing in sunlight.

Halogen lights are a popular type of lighting in contemporary homes, and can be used for lighting while you stitch your embroidery. Keep in mind that halogen bulbs do produce UV rays which can cause skin damage (just like sunlight). Choose a bulb that filters these rays out so that your skin is safe.

Floor standing lamps
If you are a right handed person, the best place to position a lamp is so that the light shines over your left shoulder and onto your work. This will mean that your stitching hand will not obstruct the light as it falls on your work area. If you are left handed, you will want to position the lamp so that it shines over your right shoulder. Experiment with the precise position to get the best effect.

Desk or table lamps
If you are a right handed person, position the lamp on the table to your left. This will mean that your stitching hand will not obstruct the light as it falls on your work area. If you are left handed, position the table lamp on your right. Experiment with the exact position, and the proximity of the light to get maximum benefit.

Clip on lamps
I find that small, clip-on, battery powered lamps with LED bulbs are an excellent portable option. By clipping the lamp onto my needlework hoop or frame, I can work with good lighting wherever I am, whether at my kids' after-school classes or sporting activities, in a cafe, or in a waiting room. For right-handed people, clip the lamp on the far side of the frame or hoop on the left side, and vice versa for left-handed people.

By choosing your lighting carefully, and positioning it well, you too should be able to make exquisite embroidery too, just like in days of old!


Lighting For Stitching Needlework

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Monday, December 5, 2011

Part 2 - A Tale of Two Cities by Charles Dickens (Book 02, Chs 01-06)

Part 2. Classic Literature VideoBook with synchronized text, interactive transcript, and closed captions in multiple languages. Audio courtesy of Librivox. Read by Paul Adams. Playlist for A Tale of Two Cities by Charles Dickens: www.youtube.com

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